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A report by Indonesia's National Commission on Human Rights (Komnas HAM) concluded that the killings were the result of a state policy to exterminate the Indonesian Communist Party and its sympathisers. Indonesia's anti-communist purges took place across the archipelago, resulting in between 500,000 and one million deaths. Medan was not the only site of mass killings in 1965-66. Cribb writes that this approach 'puts back on the agenda the Orientalist notion that Indonesians slaughtered each other with casual self-indulgence because they did not value human life'. The subjects appall viewers with their light-hearted recollections of murder and rape.
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Australian historian Robert Cribb agrees that the focus of the film is too narrow, and should have had more emphasis on the role of the Indonesian state and military, as well as the international approval of Indonesia's massacres in the 1960s, including from Australia and the US.Ĭribb, like Fraser in The Guardian, further criticises the format of the documentary, in which the Medan gangsters are asked to re-enact their killings via a movie they themselves script, direct and act in. Teuku's comments are supported by other critics, though not in the way he might hope. 'Is that really sufficient to interpret a significant historical event?' 'The sources are limited to the few who committed acts of atrocity,' he said. Teuku further questioned the film's focus on a small group of gangsters from Medan, North Sumatra. This response is hardly surprising for a film that in its blurb describes democratic Indonesia as 'a country where killers are celebrated as heroes'.
It must be remembered (that) Indonesia has gone through a reformation. Presidential spokesman for foreign affairs Teuku Faizasyah recently commented to local media that the film portrays Indonesia as a 'cruel and lawless nation,' adding 'that is not appropriate, not fitting. The Indonesian Government has not completely ignored the film.
There was a brief period when the website became unavailable, for which the government denies responsibility, and one newspaper editor in West Java was mobbed for using the film to criticise the group Pancasila Youth, an incident which was more about his comments than the film itself.Ĭomparatively speaking, the Miss World pageant last year created a bigger stir.
There have been few disruptions to the promotion of the film in Indonesia.
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The Australian-dominated Ubud Writers and Readers Festival held an open screening without incident, clearly advertised in its promotional material. Several other screenings were held peacefully in Jakarta and elsewhere.Įven for those who haven't made a screening, the film is easily accessible in Indonesia via free download or pirated DVD. Since the film is not banned, private screenings are not technically illegal, and are thereby protected by law from the possibility of a violent response by those who disagree with its message.Īs exciting as it sounds, some of the so-called 'guerrilla screenings' of the film in Indonesia were not quite as underground as you might expect. Director Joshua Oppenheimer deliberately avoided censorship by not submitting the film for approval, predicting it would be rejected. Let's begin by correcting a myth: the film is not banned in Indonesia. It's worth considering the film in the context of contemporary Indonesia, a post-authoritarian state in the process of consolidating as a democracy, and in a broader historical context. One notable voice against the trend is the BBC's documentary editor Nick Fraser, who in The Guardian last weekend dismissed it as 'a high-minded snuff movie.' In the Western press, critics have responded with almost unanimous enthusiasm to the documentary film The Act of Killing, which could win an Academy Award on Sunday.